Jason
Segel Will Save Us All
Posted
06:41 (GMT) 20th May 2008
If
you haven't yet seen Forgetting Sarah Marshall you most
certainly should. I raved about Knocked Up last summer
and was cautiously optimistic when I heard about a new film starring
and written by Jason "Marshall-from-the-one-of-the-funniest-sitcoms-ever-How-I-Met-Your-Mother"
Segel. I should have been ecstatic considering how good it sounds
on paper but the trailer only hinted at something which may well
be good but could just as easily disappoint, which is to say none
of the biggest laughs from the film are in the trailer. Thinking
back, that's actually a good thing since there's nothing most trailers
love more these days than ruining all of a film's biggest surprises.
I'm reminded of the trailer for Shrek 2 which revealed
the whole "Pray for mercy rom Puss in Boots" scene in
its entirety, not to mention its omnipresence in TV spots - it got
to the point that when I actually saw the film the kids behind me
spent the entire scene reciting the lines as they occurred, as well
they might since it's a very funny scene when you re-watch the film
on DVD years later - but whenever you see a film for the first time
at the cinema it's always infected by your memories of the trailer.
Forgetting Sarah Marshall's trailer wasn't exactly misleading
(not like the awful trailer for My Big Fat Greek Wedding
- witty, subtle tale of emotional growth and family tradition equals
falling
down?) but it neatly avoids all of those pitfalls,
giving away just enough to whet the appetite but spoiling nothing.
And I won't spoil anything either - just see the film before everyone
starts talking about the hilarious thing with the stuff
that made them laugh out loud.
I will
say that Jason Segel is a very talented and relatable actor and
an excellent writer both of screenplays and songs. In fact, I think
he just might be my new hero. What I'm trying to say, really, is
that I was surprised by Forgetting Sarah Marshall. I was
surprised by how funny it was, I was surprised because none of the
surprises are spoiled in the promotional material and I was surprised
because what could have easily been a by-the-numbers romantic comedy
(not that there's anything wrong with that) turned out to be a startlingly
original and unpredictable film. And that puts it right up there
with my all-time favourite When Harry Met Sally.
I suppose
what's interesting about films like Knocked Up and Forgetting
Sarah Marshall is the way they explore changing ideas of masculinity
in the 21st century. These films aren't about losing your virginity
to a pie or lighting your beer farts, these films are about confronting
parenthood and crying over your ex-girlfriend - essentially stories
of men tackling responsibility and emotions head-on and all the
interesting comic scenarios that are thrown up by that, rather than
the hollow and unrealistic story of some guy running from responsibility
or his feelings until he finally learns not to, as if that's the
biggest step any man's going to take in his life. It's when you
confront your feelings that things get interesting, it should be
the catalyst for a plot rather than the ending. These are very funny
films - films that real people can relate to - about achieving maturity
in a post-feminist society and their critical reception and financial
success shows that cinema and audiences are maturing too. What an
exciting time to be alive.
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